New Originals (2017)

Solo Exhibition Curator: Sally Muller. Co-produced with Kunstmuseum Bonn.

Installation Version: 30 visitors / 40 minute . Solo work: 12 min. / 3 Visitors Size: Variable

Mixed reality installation: smartphones, sound-isolated headphones, binaural sound, iBeacons, Sightless Goggles, instructions, choreography, borrowed artworks from museum’s collection, artwork replicas, modified gallery partitions.

Unknown Cloud on Its Way to... (2015-2017)

Medium: Multiple location flashmob synchronized by iOS/Android application, social & news media, 360 ambisonic sound, text-messages and the website: http://unknowncloud.com Duration: 35min.

The Memory of W.T. Stead (2009-2013)

Co-produced with Nomad Projects

Medium: Light Controlled Room, DMX dimmer -Fresnel spotlights, Blackout. Headphones and Mp3-players, synchronized three-dimensional sound and touch from unseen performers, Sightless goggles. Context: Site Specific to Steinway & Sons, W1 London Capacity & Duration: 6 visitors / 50 min.

Symphony - The Mnemosyne Revolution (2016)

Co-Produced by: Centre Pompidou, Metz for the exhibition an Imagined Museum and Kochi Muziris Foundation for the 2nd Biennale in Kochi, India.

Capacity & Duration: 6 visitors / 18min Size: Variable Medium: Binaural Sound, Mp3-player, Wireless Headphones, Sightless Goggles, Unseen Touch, instructions, choreography.

Photo Credits: Museum Pompidou Metz

Symphony of a Missing Room (2009-2014)

Site-specific adaptation and reinterpretation of commissioning Museum’s architecture, history and curatorial space. Capacity & Duration: 6 Visitors / 35min.

Medium: Binaural Sound, Mp3-player, Wireless Headphones, Sightless Goggles, Unseen Touch, instructions, choreography.

Co-produced by Weld for National Museum Sweden. Drawing: Courtesy Christer Lundahl

An Elegy to the Medium of Film (2014-2016)

Medium: 3D Film projection, total blackout, binaural sound & synchronized light and touch. Context & Size: Cinema or built black box, 6 – 10 m. Capacity & Duration: 6-30 Visitors / 35-45 min. Co-produced by the NXTSTP consortium

Proscenium (2012)

Site-specific adaptations commissioning theatre’s architecture and history. Medium: Binaural Sound, Sennheiser Wireless Headphones & microphones, Alti-verb software and live-feed of voice and environments, dmx control for light, wind and haze, sightless goggles, unseen touch, instructions and choreography. Capacity & Duration: 6 Visitors / 45 min.

Co-produced by: Swedish Royal National Theatre, STUK & 30CC. Supported by: Kulturbryggan & British Council

Symphony (2015)

Commissioned and acquired by Momentum Konsthall for Momentum 8 - Tunnel Vision.

Curators: Jonatan Habib Engqvist, Birta Gudjonsdottir, Stefanie Hessler, Toke Lykkeberg

More versions exist of this work. View project.

Capacity & Duration: 3 - 10 Visitors / 18 min.

Medium: Binaural Sound, Mp3-player, Wireless Headphones, Sightless Goggles, Unseen Touch, instructions, choreography.

Size: Variable

Photo: Ingeborg Ouyen Thorsland

Eternal Return (2018)

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Eternal Return is a contemporary art exhibition existing of three entangled art works, a book and their physical and virtual display structures. Made to exist on their own, each artwork always remain virtually connected to the others, also over distance, in different exhibitions for example.

My Voice Shall Now Come From the Other Side of the Room (2005-2007)

Commissioned & developed for Battersea Arts Centre, Tate Britain and A-Foundation.

Capacity & Duration:  3 - 10 Visitors / 10 min.

Medium: Binaural Sound, Mp3-player, Wireless Headphones, Sightless Goggles, Unseen Touch, instructions, choreography.

Photo: Courtesy Lundahl & Seitl

Birth Series (2007-2016)

Live performers being Avatars for visitors social interaction in art spaces. Site-specific adaptations of the work for different social contexts and exhibitions. Past inarnations include: Tate Modern - Dada & Surrealism Exhibition and a Solo exhibition at Cell Project Space, London.

Medium: Concealed camera, ear-piece, wall-mounted iPad with headset.

The Infinite Conversation (2011)

Commissioned and developed for Magasin 3 with support by Innovativ Kultur & the Swedish Arts Grants Committee. Curator: Richard Julin Capacity: 200-300 visitors/day. Installation size: variable. Medium: Black-out in gallery with built partitions and draped fabric, instructions, unseen touch choreography. Photo: Courtesy Magasin 3

Explode and (anything) (2006)

Context: This work can be exhibited as a solo project or as part of a group exhibition.

Installation: Mp3-player and headphones: synchronized three-dimensional sound touch from an unseen performer, Sightless goggles. Draped fabric in different colors. A4 paper with note on the wall. Space Requirements: 3 - 10 square meters

Capacity & Duration: Three visitors / 15 min.

Photo: Courtesy Lundahl & Seitl

Observatory (Weld 2008, MDT 2011)

Commissioned and developed for Weld & MDT Stockholm with support by Innovativ Kultur & the Swedish Arts Grants Committee

Capacity & Duration:  6 Visitors / 35min.

Size: Variable

Medium: Binaural Sound, Mp3-player, Wireless Headphones, Black-out, synchronized instructions, unseen touch, choreography.

Photo: Courtesy Lundahl & Seitl    

Rotating in a Room of Images (2007-Present)

Capacity & Duration 1 visitor / 15min.

Space Requirements: 10-15 meters ( Museum / Gallery or other built white cube)

Technique & Installation: Single visitor, mp3-player and headphones: synchronized three-dimensional sound touch from an unseen performer using night vision goggles. White draped fabric, projector and media player, Live video camera, 3 performers, Velasquez Costume, A4 paper with note on the wall.

Context: This work can be exhibited as a solo project or as part of a group exhibition.

Photo: Courtesy Lundahl & Seitl

Vita Kuben (2012)

When artistic duo Lundahl and Seitl were invited to curate the 2012 spring season at the White Cube, they invited artists Niklas Tafra and Henning Lundkvist to join them.

Together, they've chosen to tackle this spring's three exhibitions as parts in a series. An idea will be presented and allowed to develop over time, while the boundaries between artwork and exhibition, artist and curator, are broken down.

Dream Walk (2010)

The work takes the visitor on a walk, through physical and virtual places. An hour may have passed, maybe two. An autumn. A winter. A single visitor sitting in the hotel lobby and awaiting instructions.

Citizen of the Green Room

An installation defined as non-local micro nations: empty green-rooms. 

Two visitors enter connecting themselves to VR headsets that crosswire their movements with two other remote individuals in identical green rooms somewhere else on earth. They negotiate their subjectivity within the collective, finding reciprocity by synchronized movements and touch, which also alter the virtual environment.

Memories of a Building (2016)

Title: Memories of a Building

Year: 2016

Context: Group exhibition, permanent collection, complementing New Originals

Credits: Co-production Centre Pompidou, Metz

About: At The Wall of Memorization: when the visitors talk into the headsets microphone - the programme automatically records what is being said and then stores it within a computer that playing the voices at random at the The Whispering Wall. The two walls are placed on different locations.

Lundahl & Seitl